The Paris and Beijing-based sales outfit takes worldwide rights to the four-country co-production, which bows in Locarno's Filmmakers of the Present San Sebastián New Directors: Billy Lumby, Marlene Emilie Lyngstad, ‘Money Heist’ Star Jaime Lorente and More 8 hours ago Sony Pictures Sets Viral X-Inspired Short-Form Thriller ‘Los Hilos del Miedo’ at Prime Video Spain (EXCLUSIVE) 6 days ago Studio STIM, Behind ‘The Girl in the Clouds,´Sets Canary Islands Operation, Planning to Create More Than 100 Jobs 1 week ago Inwave Films , the international sales company with offices in Paris and Beijing, has acquired worldwide sales rights to “The Days Off,” the debut feature from Argentine writer-director Lucila Mariani, ahead of its world premiere in Locarno’s Filmmakers of the Present. Blending coming-of-age drama with a dreamlike, science-fiction edge, the film filters Argentina’s economic instability and the pull of the digital world through the perspective of a child searching for an escape. Related Stories 'Godzilla vs.
Kong' Star Kaylee Hottle Dies at 18 Set during the first days of summer, as inflation rises, power cuts intensify and a solar eclipse approaches, the film follows Bego, 12, left to occupy herself while her family contends with the country’s deteriorating economy. Popular on Variety Using her mother’s phone, Bego connects with a virtual friend, REN__, who introduces her to shifting, a real online practice through which teenagers use lucid dreaming and sleep paralysis to try to reach a desired reality. As people around her begin slipping into an emotionally numb trance described as being eclipsed, the boundaries between Bego’s imagination, the digital world and physical reality begin to dissolve.
Antonia Robolini stars as Bego alongside Laura Paredes, whose credits include “Trenque Lauquen,” “Argentina, 1985” and “The Delinquents.” Luiza Quinteiro and Guillermo Berthold round out the cast. “The Days Off” was produced by Paula Zyngierman at Argentina’s Maravillacine (“Marilyn,” “Under the Flags, the Sun”), alongside Brazil’s Persona Non Grata Pictures and Vulcana Films (“Hard Paint,” “Night Stage”), with Mexico’s Woo Films (“Pedro Páramo,” “Noise”) and Valiente Films as co-producers. France’s Misia Films, whose credits include Oscar-winning short “Two People Exchanging Saliva,” and Argentina’s Año Luz (“La Calma,” “Lagunas”) are associate producers.
