Senior Music Writer and Chief Music Critic Lily Allen Drops Most Arena Dates on U.S. Tour in Favor of Theater and Amphitheater Shows 17 minutes ago Allison Russell on Finding Joy ‘In the Hour of Chaos,’ With a Duets-Filled Third Album That’s a Jubilee Unto Itself 1 day ago Madonna’s ‘Confessions II’ Debuts at No. 1 on Album Chart, as Ken Carson and Sienna Spiro Also Bow in Top 10 2 days ago Lily Allen ‘s “West End Girl” tour was one of the year’s most acclaimed pop outings when it played U.S.
theaters earlier this year, but there was some question about whether the intimate and highly theatrical one-woman show would translate to huge venues, when the British singer booked a tour focused mostly on arenas for the fall. North American audiences won’t get a chance to get an answer to that question, for the most part, as Allen and Live Nation revealed Monday they are canceling most of the arena gigs in favor of booking new shows in theaters and amphitheaters instead. Related Stories Box Office: 'Moana' Struggles With $52 Million Overseas, 'Toy Story 5' Powers to $879 Million Globally Box Office: 'Moana' Sets Sail With $4.5 Million in Thursday Previews The tour’s opening night at Madison Square Garden Sept.
3 is still on as planned. But arena shows at Los Angeles’ Forum, Chicago’s United Center, San Francisco’s Chase Center, Vancouver’s Rogers Arena, Philadelphia’s Xfinity Mobile Arena and Montreal’s Bell Centre were canceled Monday, with ticketholders being notified they would automatically receive refunds in 5-7 days. Popular on Variety New shows have been booked at medium-sized venues In five of the affected six cities, and ticketholders whose money is being refunded will automatically be preregistered for a chance to buy tickets for the replacement dates.
Only the Montreal concert has been canceled without any alternative venue being booked. One city has been added to the itinerary that wasn’t previously part of the tour, with Seattle’s Paramount Theatre being added for July 24. Allen posted on social media about the changes to the tour, speaking only in terms of “adjustments” without using the word “cancellations” or referring to weak sales or any other reason for nixing six out of seven arena shows.
“We have a few updates since we first announced this leg of the tour earlier in the year,” she wrote. “I am SO excited to say we are now coming to Seattle, tickets on sale July 24, 1o a.m. local.
“For Philly, Chicago, LA, San Francisco, Vancouver, we’ve had to make some adjustments. If you’ve already bought tickets to these shows, you will be refunded in 5-7 working days and automatically entered into a presale that goes live July 22, 10 a.m. local.
General on sale will go live July 24, 10 a.m. local. Montreal, I am so sad to say we tried our hardest but will not be able to make it to you this time.
NY, Boston, Toronto, Detroit, Minneapolis, Red Rocks (in Colorado) — you are staying as is. Tickets on sale now. :))” The newly added dates replacing the arena shows are Sept.
6 at Philadelphia’s TD Pavilion, Sept. 13 at the Chicago Theatre, Sept. 21 at L.A.’s Greek Theatre, Sept.
22 at Oakland’s Paramount Theatre and Sept. 28 at Vancouver, BC’s Orpheum. The unusual nature of the tour has been the topic of much discussion all year.
Allen is playing the “West End Girl” album in its entirety, using backing tracks from the concept album, which chronicles events leading up to her recent divorce. The show lasts just over an hour, without any additional songs from her back catalog, and without talking to the audience. The experience is akin to seeing a one-woman Broadway or off-Broadway play, and fans have vociferously defended her artistic choices in making it more of a theatrical than typical concert event.
Variety reviewed her show at L.A.’s Orpheum and called it easily one of 2026’s most rewarding tours. Even the positive reaction to the previous tour left open the question of whether it was a good fit for arenas. But as the show went on in a European leg that included a stop at the 02 Arena, many ticketholders asserted that for them it worked just as well in a huge space as in the smaller theaters she’d played earlier.
Still, the popular perception that it was an undersized show booked into oversized venues seemed to have put a damper on advance sales. After a journalist wrote on social media that the show sounded standoffish without the singer addressing fans, Allen replied on June 29, “It’s my artistic choice not to talk to the audience, the fourth wall helps with the storytelling. Most people find it to be effective.
Everyone on this tour is really working very hard to give people the best show we possibly can, and I’m extremely proud of it.” While a few fans had complaints about the change in plans (mostly in the altogether bypassed Montreal), most were supportive on social media. “I’ll be butt plugged up in New York, queen,” one X user replied, referring to the lyrical content of the “West End Girl” album. Read Variety ‘s review of Allen’s “triumphant” Orpheum shows in May here .
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